![]() The RNP's design uses a unique configuration that permits Class-A operation of a discrete transistor pair that almost completely erases the non-linear effects of Vbe and emitter bulk resistance that dog traditional preamp circuits. ![]() It's the last 10 to 15dB that really uncovers the flaws in amplifier design. Modern opamps-little miracles of the semiconductor age-make the design of decent-sounding preamps up to 50dB, or so, an almost trivial exercise. Basically, what you put into the RNP you get out with very little additional effect. Particularly, there's no variation in the preamp's low frequency response as a function of gain setting. There's very little coloration-no unexpected frequency response peaks and valleys-across the very wide frequency response (125kHz) at every gain setting. The RNP was designed with sonic neutrality in mind without sounding "clinical" or sterile. ) s some info from the FMR site: The Really Nice Pre-amp, the RNP, is a 1/3 rack two channel mic. ![]() ![]() The RNP possesses all the features you'd expect from a professional preamp: accurate signal metering,1M? input impedance DI inputs, high input level capability (up to +28dBu input), high-capacity phantom power supply, sealed relay switching for invert/phantom functions, gold-plated 12-position gain switch, TRS insert between preamp stage and output driver, +28dBu TRS-balanced outputs, 5k? differential input impedance on mic input, plus features like output muting during phantom engage/disengage and battery or AC mains operation. And of course any 002/003/mbox pre, but thats a given. The RNP is a pair of separate micpres providing up to 66dB of gain at vanishing low distortion levels in a compact 1/3 rack format. ![]()
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